Legends of the Flood

Originally written by Eric Lyon M.Min. and Kyle Butt, M.A. of Apologetics Press. The article is here.

Anthropologists who study legends and folktales from different geographical locations and cultures consistently have reported one particular group of legends that is common to practically every civilization. Legends have surfaced in hundreds of cultures throughout the world that tell of a huge, catastrophic flood that destroyed most of mankind, and that was survived by only a few individuals and animals. Although most historians who have studied this matter estimate that these legends number into the 200s, according to evolutionary geologist Robert Schoch, “Noah is but one tale in a worldwide collection of at least 500 flood myths, which are the most widespread of all ancient myths and therefore can be considered among the oldest” (2003, p. 249, emp. added). Schoch went on to observe:

Narratives of a massive inundation are found all over the world…. Stories of a great deluge are found on every inhabited continent and among a great many different language and culture groups (pp. 103,249).

Over a century ago, the famous Canadian geologist, Sir William Dawson, wrote about how the record of the Flood

is preserved in some of the oldest historical documents of several distinct races of men, and is indirectly corroborated by the whole tenor of the early history of most of the civilized races (1895, pp. 4ff.).

Legends have been reported from nations such as China, Babylon, Mexico, Egypt, Sudan, Syria, Persia, India, Norway, Wales, Ireland, Indonesia, Romania, etc.—composing a list that could go on for many pages (see Perloff, 1999, p. 167). Although the vast number of such legends is surprising, the similarity between much of their content is equally amazing. James Perloff noted:

In 95 percent of the more than two hundred flood legends, the flood was worldwide; in 88 percent, a certain family was favored; in 70 percent, survival was by means of a boat; in 67 percent, animals were also saved; in 66 percent, the flood was due to the wickedness of man; in 66 percent, the survivors had been forewarned; in 57 percent, they ended up on a mountain; in 35 percent, birds were sent out from the boat; and in 9 percent, exactly eight people were spared (p. 168).

AMERICAN INDIAN LEGENDS

The Aztecs tell of a worldwide global flood in a story with striking parallels to the biblical deluge. “Only two people, the hero Coxcox and his wife, survived the flood by floating in a boat that came to rest on a mountain” (Schoch, p. 103). Then, soon after the flood, giants constructed a great pyramid in an endeavor to reach the clouds. Such ambition is said to have angered the gods, who scattered the giants with fire sent from the heavens (cf. Genesis 11:1-9).

In the ancient land we now refer to as Mexico, one tribe of Indians, known as the Toltecs, told of a great flood. In their legend, a deluge destroyed the “first world” 1,716 years after it was created. Only a few people escaped this worldwide flood, and did so in a “toptlipetlocali” (a word that means “closed chest”). After these few people exited the closed chest, they wandered about the Earth, and found a place where they built a “zacuali” (a high tower) in case another flood came upon the Earth. At the time of the “zacuali,” the Toltecs’ languages were confused and they separated to different parts of the Earth.

Another ancient tribe of Mexico told the story of a man named Tezpi who escaped the deluge in a boat that was filled with animals. Similar to Noah, who sent out a raven (a scavenger bird) that never returned, and a dove that came back with an olive leaf, “Tezpi released a vulture, which stayed away, gorging on cadavers. Then he let a hummingbird go, and it returned to him bearing a twig” (Schoch, p. 104).

ANCIENT GREEK MYTHOLOGY

According to the Greek legend of the deluge, humans became very wicked. Zeus, the leader of the many gods in Greek mythology, wanted to destroy humans by a flood, and then raise up another group. However, before he could do this, a man by the name of Deucalion, and his wife Pyrrha, were warned of the impending disaster. This fortunate couple was placed in a large wooden chest by one of the immortals named Prometheus. For nine days and nights, the floodwaters covered almost all of the Earth. Only a few mountain peaks remained. The wooden chest came to rest on the peak of Mount Parnassus. Later, after leaving the wooden chest, Deucalion sacrificed to Zeus.

CHINESE AND ASIAN LEGENDS

In the land of China, there are many legends about a great flood. One of those comes from a group of people known as the Nosu. According to their legend, God sent a personal messenger to Earth to warn three sons that a flood was coming. Only the youngest son, Dum, heeded the messenger. He constructed a wooden boat to prepare for the coming flood. When the waters arrived, Dum entered his boat, and was saved. After the waters began to recede, the boat landed on the mountains of Tibet, where Dum had three sons who repopulated the Earth. Interestingly, even the Chinese character for “boat” possibly reveals the story of Noah and the other seven people on the ark. The three elements used to symbolize a boat are:

Chinese Symbols

The Iban people of Sarawak tell of a hero named Trow, who floated around in an ark with his wife and numerous domestic animals (Schoch, p. 252). Natives from India tell a story about a man named Manu who built an ark after being warned of a flood. Later, the waters receded, and he landed on a mountain (Schoch, p. 250).

ANCIENT BABYLONIAN MYTHOLOGY

Possibly the most famous flood account (aside from the biblical record of Noah and the Flood) comes from the ancient Babylonian empire. The Gilgamesh Epic, written on twelve clay tablets that date back to the seventh century B.C., tells of a hero named Gilgamesh. In his search for eternal life, Gilgamesh sought out Utnapishtim, a person who was granted eternal life because he saved a boatload of animals and humans during a great flood. On the eleventh tablet of this epic, a flood account is recorded that parallels the Genesis account in many areas. According to the story, the gods instructed Utnapishtim to build a boat because a terrible flood was coming. Utnapishtim built the boat, covered it with pitch, and put animals of all kinds on it, as well as certain provisions. After Utnapishtim entered the boat with his family, it rained for six days and nights. When the flood ended, the boat rested on Mount Niser. After seven days, Utnapishtim sent out a dove to see if the waters had receded. The dove came back, so he sent a swallow, which also returned. Finally, he sent out a raven—which never returned. Utnapishtim and his family finally exited the boat and sacrificed to their gods (see Roth, 1988, pp. 303-304).

What is the significance of the various flood legends? The answer seems obvious: (a) we have well over 200 flood legends that tell of a great flood (and possibly more than 500—Schoch, p. 249); (b) many of the legends come from different ages and civilizations that could not possibly have copied any of the similar legends; (c) the legends were recorded long before any missionaries arrived to relate to them the Genesis account of Noah; and (d) almost all civilizations have some sort of flood legend. The conclusion to be drawn from such facts is that in the distant past, there was a colossal flood that forever affected the history of all civilizations.

Those living soon after the Flood did not have the book of Genesis to read to their descendants. (Genesis was not written until several hundred years after the Flood.) The account of the Flood was passed from one generation to the next. Many parents and grandparents told their children and grandchildren about the huge ark, the wonderful animals, and the devastating Flood, long before the Genesis record ever existed. Over the years, the details of the story were altered, but many of the actual details remained the same. Alfred Rehwinkel wrote:

Traditions similar to this record are found among nearly all the nations and tribes of the human race. And this is as one would expect it to be. If that awful world catastrophe, as described in the Bible, actually happened, the existence of the Flood traditions among the widely separated and primitive people is just what is to be expected. It is only natural that the memory of such an event was rehearsed in the ears of the children of the survivors again and again, and possibly made the basis of some religious observances (1951, pp. 127-128).

Harold W. Clark, in his volume, Fossils, Flood and Fire, commented:

Preserved in the myths and legends of almost every people on the face of the globe is the memory of the great catastrophe. While myths may not have any scientific value, yet they are significant in indicating the fact that an impression was left in the minds of the races of mankind that could not be erased (1968, p. 45).

After the “trappings” are stripped away from the kernel of truth in the various stories, there is almost complete agreement among practically all flood accounts: (a) a universal destruction by water of the human race and all other living things occurred; (b) an ark, or boat, was provided as the means of escape for some; and (c) a seed of mankind was provided to perpetuate humanity. As Furman Kearley once observed: “These traditions agree in too many vital points not to have originated from the same factual event” (1979, p. 11). In volume three of his multi-volume set, The Native Races of the Pacific Slope—Mythology, H.H. Bancroft wrote: “There never was a myth without a meaning; …there is not one of these stories, no matter how silly or absurd, which was not founded on fact” (1883).

Among the noted scholars of days gone by who have studied these matters in detail are such men as James G. Frazer (Folklore in the Old Testament) and William Wundt (Elements of Folk Psychology). Wundt, who did his utmost to find some kind of reasonable case for independent origins of the various flood sagas (and who had no great love for the biblical evidence), was forced to admit:

Of the combination of all these elements into a whole (the destruction of the earth by water, the rescue of a single man and seed of animals by means of a boat, etc.), however, we may say without hesitation, it could not have arisen twice independently (1916, p. 392, parenthetical comment in orig.).

Or, as Dawson concluded more than a century ago:

[W]e know now that the Deluge of Noah is not mere myth or fancy of primitive man or solely a doctrine of the Hebrew Scriptures. …[N]o historical event, ancient or modern, can be more firmly established as matter of fact than this (1895, pp. 4ff.).

REFERENCES

Bancroft, H.H. (1883), Works: The Native Races of the Pacific Slope—Mythology (San Francisco, CA: A.L. Bancroft).

Clark, Harold W. (1968), Fossils, Flood and Fire (Escondido, CA: Outdoor Pictures).

Dawson, John William (1895), The Historical Deluge in Relation to Scientific Discovery (Chicago, IL: Revell).

Kearley, F. Furman (1979), “The Significance of the Genesis Flood,” Sound Doctrine, March/April.

Perloff, James (1999), Tornado in a Junkyard: The Relentless Myth of Darwinism (Arlington, MA: Refuge Books).

Rehwinkel, Alfred M. (1951), The Flood (St. Louis, MO: Concordia).

Roth, Ariel (1988), Origins: Linking Science and Scripture (Hagerstown, MD: Review and Herald Publishing).

Schoch, Robert M. (2003), Voyages of the Pyramid Builders (New York: Jeremy P. Parcher/Putnam).

Wundt, William (1916), Elements of Folk Psychology, trans. Edward L. Schaub (New York: Macmillan).

Video – The Military and Restrictive Regulations on Religion

Rear Admiral Lee Addresses Restrictive Regulations on Religious Liberty

Seven Biblical Tests for Christians and Music

Christianity Today and writer Ed Stetzer have an interesting article regarding church music. I grew up in an a capella church; voice only, no instruments. I now worship at a church that incorporates all types of musical instruments. Frankly, it was a tough decision for me to change. If God forbids the use of musical instruments in worship I did not want to displease him by worshiping at a church using musical instruments.

While I struggled with this for several months but the conclusions reached by Mr. Stetzer come close to mirroring mine. I believe the author has hit upon the keys to music style in our worship.

In seeking to determine what is the right music for a church, it’s important that we use biblical principles in our evaluation. That’s not always easy—the Bible doesn’t contain music notes. God never gives us His musical preferences.

While it may be difficult, I do believe it’s possible to evaluate musical preferences using God’s word. The following seven tests each relate to biblical principles that we can apply to our music to determine its suitability.

God can use any form of music. He has no musical style or preference.

Seven Biblical Tests for Christians and Music.

The Bible Makes a Comeback

Fiords of Norway  OSLO, Norway (AP) — It may sound like an  unlikely No. 1 best-seller for any country, but in Norway — one of the most secular nations in an increasingly godless Europe — the runaway popularity of the Bible has caught the country by surprise. The Scriptures, in a new Norwegian language version, even outpaced “Fifty Shades of Grey” to become Norway’s best-selling book.

The sudden burst of interest in God’s word has also spread to the stage, with a six-hour play called “Bibelen,” Norwegian for “the Bible,” drawing 16,000 people in a three-month run that recently ended at one of Oslo’s most prominent theaters.

Bible’s Strong Comeback Surprises Secular Norway.

“Abstain From All Appearance of Evil”

by Dave Miller Ph.D. of Apologetics Press

God chose to employ human language—words—to communicate His will to people. Even though this medium of conveyance is quite adequate to achieve such an objective, misunderstanding sometimes can occur. One example of confusion is seen in Paul’s admonition to the Thessalonian Christians: “Abstain from all appearance of evil” (1 Thessalonians 5:22). This verse frequently is used to assert that Christians should avoid engaging in actions that appear to be improper or sinful—even though those actions may not actually be sinful. However, the 1611 translators of the King James Version were attempting to convey the idea that one should abstain from evil in whatever form it may appear. Newer translations help to clarify the underlying Greek text by translating the verse, “Abstain from every form of evil” (NKJV). The verse is banning the practice of sin/evil in whatever form it occurs—whether lying, stealing, murdering, etc.

Contextually, verses 19-22 of chapter five form a pericope that warned first-century Christians to refrain from stifling the expression of miraculous gifts—charismata (vss. 19-20). Christians were admonished to test the gifts of the Spirit for their authenticity so that they would hold to what was correct (vs. 21). As such, these verses are parallel to Ephesians 3:1-5, 4:30, Isaiah 63:10-12, and Psalm 78:40. These passages demonstrate that when individuals opposed or withstood God’s miraculously endowed representatives—by rejecting the word that those emissaries presented—they grieved or quenched the Holy Spirit in the sense that they rejected His instructions, refusing to accept the teaching that would enable them to gain God’s approval. The word “quench” (sbennumi) is used in the New Testament to refer to the act of extinguishing a literal fire. However, in 1 Thessalonians 5:19 it is used metaphorically, and spotlights the idea of suppression. One does not literally suppress or quench the Spirit. Rather, one suppresses the influence of the Spirit on one’s own life by resisting the Spirit’s teaching via Scripture. Specifically, in context, when Paul said to abstain from the appearance of evil, he was referring to abstaining from inauthentic admonitions from those who claimed to possess miraculous gifts.

Taxi – It Doesn’t Have to be This Way

Do you remember the song Taxi by Harry Chapin? It was published in 1972. I was twelve at the time. I was young. Life was great. My future was bright. (I even had to wear shades.) I had much to be encouraged and enthusiastic about. My parents were supportive and teachers told us we could accomplish whatever we set out to do.

But listening to the lyrics of this song brought a whole new aspect of thought to my young mind. I’d never heard of disappointment and unfulfilled dreams. It simply hadn’t crossed my mind. Educators and parents were always encouraging and saying life is what you make of it.

Here’s a video of the song with the lyrics below:

Here are the lyrics:

“Taxi”

It was raining hard in ‘Frisco.
I needed one more fare to make my night.
A lady up ahead waved to flag me down.
She got in at the light.

Oh, where you going to, my lady blue?
It’s a shame you ruined your gown in the rain.
She just looked out the window,
she said, “Sixteen Parkside Lane.”

Something about her was familiar.
I could swear I’d seen her face before.
But she said, I’m sure you’re mistaken,
and she didn’t say anything more.

It took a while, but she looked in the mirror.
And she glanced at the license for my name.
A smile seemed to come to her slowly.
It was a sad smile, just the same.

And she said, “How are you Harry?”
I said, “How are you Sue?”
Through the too many miles,
and the too little smiles,
I still remember you.

It was somewhere in a fairy tale.
I used to take her home in my car.
We learned about love in the back of a Dodge.
The lesson hadn’t gone too far.

You see, she was gonna be an actress,
and I was gonna learn to fly.
She took off to find the footlights,
and I took off to find the sky.

Oh, I’ve got something inside me
to drive a princess blind.
There’s a wild man, wizard
He’s hiding in me, illuminating my mind.
Oh, I’ve got something inside me
not what my life’s about.
‘Cause I’ve been letting my outside tide me
Over ’til my time, runs out.

(Yes, she’s flying, afraid to fall)
(I’ll tell you why baby’s crying)
(‘Cause she’s dying, aren’t we all)

There was not much more for us to talk about.
Whatever we had once was gone.
So I turned my cab into the driveway,
past the gate and the fine trimmed lawns.

And she said, “We must get together.”
But I knew it’d never be arranged.
And she handed me twenty dollars
for a two fifty fare.
She said, “Harry, keep the change.”

Well, another man might have been angry
and another man might have been hurt.
But another man never would’ve let her go.
I stashed the bill in my shirt.

And she walked away in silence.
It’s strange how you never know
but we’d both gotten what we’d asked for
such a long, long time ago.

You see, she was gonna be an actress
and I was gonna learn to fly.
She took off to find the footlights
and I took off for the sky.

And here, she’s acting happy
inside her handsome home.
And me, I’m flying in my taxi
taking tips, and getting stoned.

I go flying so high, when I’m stoned.

Wikipedia tells us this about the song:

“Taxi” is a song written and performed by Harry Chapin from his 1972 album Heads and Tales. Chapin debuted the song on NBC‘s The Tonight Show Starring Johnny Carson in 1972, which was followed by many calls and telegrams sent from viewers to NBC demanding that Chapin return to the show. It was the first time in the show’s history that host Johnny Carson brought a performer back the very next night for an encore performance.

Whatever it was in that song, it struck a cord with the audience. Could it be the audience felt the same despair and emptiness as portrayed from the words of the song?

It doesn’t have to be that way.

Jesus encountered a Samaritan woman at a well dug by Jacob. He asked her for a drink of water but she was surprised a Jew would ask a Samaritan for anything much less a drink from the well. He replied, “If you knew the gift of God and who it is that asks you for a drink, you would have asked him and he would have given you living water.” She again questions Jesus. How will He provide her with water when he has nothing to draw from the well with, much less this living water. Jesus responds, “Everyone who drinks this water will be thirsty again, but whoever drinks the water I give him will never thirst. Indeed, the water I give him will become in him a spring of water welling up to eternal life.

Most people are like the woman, they doubt the water Jesus has to offer will benefit them yet Jesus asks her again. Jesus calls to mankind each and every day but as the story shows, He doesn’t force himself upon us or anyone. There is no coercion, just a simple calling.

Are you tired of an unfulfilled life? Are your dreams shattered. Has your life transformed into something you did not plan or now recognize? Life has a way of doing that to you.

For many are invited, but few are chosen.” Matthew 22:14

 Do You Feel All Alone? Don’t be invited but not chosen.

 

 

Moore, Oklahoma Tornado Damage

My job as a claim adjuster takes me to many places where natural disasters occur. As I was sitting on my couch watching the events of May 20, 2013 in Moore, OK unfold before me I was thinking the devastation and loss of life would be immense. When my wife got home from work safely I told her if my company asked me to help in the disaster relief I would volunteer. Not only was it happening in my state but it was fellow Oklahoman s who were suffering and needed help.

Being here since Tuesday has afforded me the opportunity to help many people who have lost everything they owned. The church parking lot we are working from has conducted many funerals for those families who have lost loved ones in the tornado. I have attached some video and photos of the damage. Words, videos and photos cannot describe the devastation.

Please keep the victims of the tornado and those responding to them in your prayers.

Plaza Towers School Damage:

Neighborhood Damage:

Word around town was that Westboro Baptist Church was going to show up to protest at funerals for the victims. I do not know if it occurred but the bikers were here in force to block any of their nonsense.

CS Lewis: A Life by Alister McGrath – review

 

Powered by Guardian.co.ukThis article titled “CS Lewis: A Life by Alister McGrath – review” was written by Peter Stanford, for The Observer on Sunday 14th April 2013 07.00 UTC

Fate has been kind to CS Lewis in death. Where many celebrated writers assume that their reputations will live for ever, he was convinced that his books would be forgotten within five years of his passing. Experience had taught him to expect the worst – the early loss of his mother, repeated reverses in his academic career, and then the death from cancer of his wife Joy after just five years of marriage. Even news of his demise was sidelined because it coincided in November 1963 with that of the assassination of President Kennedy.

However, while many of his literary contemporaries and rivals have suffered a posthumous eclipse, Lewis’s tales of Narnia, his works of Christian apologetics, and his aching reflection on grief continue to reach new generations of readers and sell more copies 50 years on from his death than they ever did when he was alive.

How and why Clive Staples Lewis – known to friends and family as Jack – has become “a cultural and literary landmark” is the question Alister McGrath sets out to answer. His book is billed as a biography, but it is simultaneously more and less than that. More in that it weaves in a thoughtful, erudite lit-crit appraisal of the writings, plus an unabashed serenade for Lewis’s theology (McGrath is himself a theology professor at King’s College, London and a very public defender of the faith). Less in that, though he covers key episodes familiar from other biographies, McGrath picks and chooses the details that suit his purpose of painting Lewis as a modern prophet.

Indeed he seems on occasion to lack a biographer’s basic curiosity about the minutiae. So though we are told Lewis was offered the CBE in 1952, and that it was “a boost to his morale”, McGrath then adds as a throwaway line that the offer was declined, without even seeming to realise that an explanation might be needed.

That, though, is a minor irritant in what is otherwise a very readable study. Indeed, McGrath may be justified in feeling that, since Lewis’s life has already been so well covered by others, some of them rather better literary stylists than him, he should instead focus his energy on bringing something new to a familiar subject. The most thought-provoking sections are therefore those where he picks away at the well-known books, explains their genesis, identifies their common themes, and defines Lewis’s enduring appeal.

CS Lewis was a convinced unbeliever until his late 20s. His conversion came as a result not of church attendance or reading uplifting spiritual literature, but rather extensive study of the canon of medieval literature, the bread and butter of his academic life as a don at Magdalen College, Oxford. “A young man who wishes to remain a sound atheist,” Lewis wrote, “cannot be too careful of his reading. There are traps everywhere.” Reading Dante, in particular, McGrath says, helped heal the trauma of active service in the first world war and guide him to God.

This book-fuelled inner journey from atheism, through theism and on to Anglicanism was, this biography suggests, akin to the snow melting in Narnia as the preface to Aslan’s arrival. There was no single road-to-Damascus moment. And indeed Lewis’s eventual destination, middle-of-the-road C of E rather than the more extreme end points of contemporaries such as Graham Greene and Evelyn Waugh, who pitched up in Rome, reveals much of the everyday, unsensational, everyman nature of Lewis’s conversion, subsequent beliefs and therefore mass appeal.

To emphasis the absence of drama, McGrath convincingly demolishes the standard tale of Lewis taking the final step to faith during an early morning motorcycle ride with his brother to Whipsnade zoo. It was rather a gradual realisation “that there was a deeper order, grounded in the nature of God, which could be discerned – and which, once grasped, made sense of culture, history, science, and above all the acts of literary creation he valued so highly”.

Lewis was not a natural evangeliser and so tried initially to dodge invitations to set down his Godly thoughts, only agreeing because he found Christian apologetics flowed much more easily from his pen than the academic papers and tomes an Oxford don is expected to produce. The Problem of Pain (1940), The Screwtape Letters (1942), Mere Christianity (1952) and A Grief Observed (1961) might then be seen as his chosen treatment for writer’s block. Along with The Lion, the Witch and the Wardrobe, published in 1950, they made him famous on both sides of the Atlantic.

His reaction to being celebrated was to try to ignore it. He continued to live frugally, with his alcoholic brother and the older woman McGrath refers to as “Mrs Moore”, part mother substitute, part burden and – though the question is left open – probably also his lover.

Many of his peers in academia, though, resented his “outside” success (JRR Tolkien, part of his circle of dons and the author of The Hobbit, was a rare exception). They objected instinctively to his unabashed faith but more particularly to his popularity, and so engineered a series of reverses as Lewis tried to climb the career ladder before he belatedly secured a chair at Cambridge.

McGrath makes a strong case that it is the kind of religious belief that Lewis describes – “transdenominational”, non-clerical, rooted in a practical morality rather than dogma – that explains his enduring appeal. To which I would add readers’ appreciation of the minor miracle that Lewis managed to find and sustain faith in the face of the tidal wave of bereavement and disappointment that engulfed his life.

Peter Stanford’s How To Read A Graveyard: Journeys in the Company of the Dead is published by Bloomsbury

guardian.co.uk © Guardian News & Media Limited 2010

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Duck Dynasty News

Yeah, you are right. I wrote this article to get page hits but I did grow up with the Robertsons. Phil was my high school teacher and I am proud of their success. They remain humble and servants of Jesus Christ. I pray God will protect them from the craftiness of Satan.

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